Laughing at Kurt’s Family. In June 2009 we joined Kurt Schoonraad on a journey into his past on  SABC 2. This extraordinary passage with Kurt will revealed some amazing stories in the comedian’s life that might or might not have be a laughing matter…   We found out what military background his  ancestors had and questioned “Did the family really come from the Island of St. Helena?”  And what part of his family is of German descent?

During an interview with Kurt he said: “it’s like the Cape Flats on some other part of the planet, apparently the whole culture mix happened there already”; On whether he is really African or not, Kurt says “I think it’s a question that’s becoming obsolete at the moment” adding “I’d like to believe I’m a citizen of the world”.

Kurt was born in District Six, Cape Town and moved to Mitchell’s Plain when South Africa’s apartheid government forcibly removed families from the District Six area. Kurt started school at Zonnebloem Primary in District Six, transferred to Duneside Primary in Mitchell’s Plain and fell in love with the stage at age 10 when he joined the Creative School of Speech And Drama. His love of acting and entertaining continued in High School where he was inspired by his teacher Mr. Keston at Rockland’s Senior Secondary. In 1999 one of his friends suggested he try out for the Smirnoff Comedy Festival’s New Faces search, he took their advice and was accepted to perform as part of the festival’s stand-up comedy line-up. Without any regrets Kurt is today one of South Africa’s most successful stand-up comedians.

Congratulations to Justin Crossley for wining our photo competition. Justin added 124 fantastic images on his family history to our image gallery. Esme Van der Westhuizen was our runner up with 104 stunning Pienaar family photos.

He has also provided us with a brief story of his Crossley family history to share with everyone

Our gallery is a splendid way of sharing and archiving your documents and family photographs that can easily be share with family and friends around the world. This platform also provides a wonderful place for other people researching the same family as you to connect and help one another.

The common belief that the historic manor-house of Groot Constantia was erected by Simon van der Stel at the end of the seventeenth century is completely fallacious. Although the proud structure of the present day probably rests on the foundations of Governor Simon’s original building, there is not a vestige of a superficial trace of resemblance between the two buildings.

In her beautiful Historic Houses of South Africa, Miss Dorothea Fairbridge advanced what is on the surface, a perfectly logical argument, that “Simon van der Stel built the house which is the best example of seventeenth century architecture left to the country”. She had never come across any evidence to the contrary, she wrote; while there is ample evidence to show that it was built by Simon van der Stel. The glowing description of Kolbe, in the face of his fierce hatred for the Van der Stels, implied great beauty: and who but a Van der Stel would have decorated the floor of his house with the star in red stone that we find at Groot Constantia? The severe simplicity of the gables also suggested a link with Van der Stel: they radiated “that feeling of classical severity that made me think they were built for Simon van tier Stel”.

She was probably strengthened in her belief by the writings of Mrs. A. F. Trotter at the turn of the present ‘century, a lady who did her research on a bicycle, and who was an artist of no mean ability. “Here”, wrote Mrs. Trotter, ”he built a house … gabled like the houses of the fatherland . . . yet individual and distinct; the first great homestead of the Cape”. She was sceptical, however, of the genuineness of the white-washed lime walls and speculated whether Constantia . . . “being built early, arid almost certainly of good bricks from the Netherlands, was originally left unplastered”. An intelligent observation, ‘suggested no doubt by Sparrman’s reference in 1772 to “the old or red Constantia”. However, this probably refers to the type of wine manufactured on the estate, rather than to the colour of the house, for Sparrman was an enthusiastic botanist deeply interested in the viticulture of the Cape. After the fire, it was shown that the original building was built of small red Klinker bricks, but there is evidence that, at the time of remodelling at any rate, the building was plastered and whitewashed.

Nothing new was added to our knowledge of the history of Groot Constantia until 1926. On December 19th of that year, the manor-house was completely gutted by fire. Nothing was saved, and only the bare walls remained.

In the following year, the Public Works Department, entrusted the task of restoring the house to the well-known Cape architect, F. K. Kendall, who subsequently published his findings in book forth, entitled The Restoration of Groot Constantia. His conclusions, persuasively drawn, suggested that at one stage almost the entire house had been rebuilt and considerably enlarged. He accepted the drawing of J. W. van der Heydt as being in conformity with his findings in the walls and probably representing the original appearance fairly accurately. Previous to this, the Van der Heydt drawing done in 1741 from a point in the orchard above the house had been regarded in the same light as the illustrations in most of the travel chronicles relating to the Cape.

Examination of the front wall of the house revealed that small Dutch Klinker bricks existed up to the level of the window-sills, but that above that level a larger and more modern brick was used. In the central gable an indiscriminate mixture of Klinker and “modern” was found. At the end of the building, in the wall of the front (drawing) room two narrow voids were discovered, stretching from floor level to two segmental arches, and filled up with Klinker bricks. This provided the clue to the front of the house, for Kendall was able to show that these levels corresponded with those of the casement windows set further back in the wall, and that originally these spaces contained casement windows as well. He postulated that when the house was remodelled, the sash-window was already in vogue in the Cape, and the front was broken down to the level of the sills to include them in the walls; and, to prevent incongruity of sashes and casements in the same room, the latter were walled up in the drawing room. The appearance of Klinker bricks mixed indiscriminately in the upper part of the building with the modern suggests that when the original building was broken down, a great quantity of bricks was in good enough condition to be used again.

Kendall then proceeded to correlate these findings with the Van der Heydt drawing. He located the exact spot in the orchard from which the artist had looked down upon the farm, and he discovered that, allowing for modern developments, as far as the skyline, avenue of oaks, the sea and the mountain were concerned, it was “a remark-ably conscientious and accurate representation in all respects”. He concluded that the omission of the gable was probably accurate. Moreover, the windows, with the aid of a magnifying glass, can all be shown to be casements: not only are they of casement proportion, but the heads of the front ones are in line with those at the end of the house. The accurately-drawn dormer is so eccentrically situated that it was probably one of a pair on the front roof; and indeed this would be corroborated by his remark that “from the upper front windows you have a charming vista of meadows, vineyards and several pretty country seats”, were Kolbe not so unrealiable a chronicler.

The ridge of the roof in Van der Heydt’s drawing is on the same level on all three sides, whereas the present building has a much higher ridge on the front roof than on the sides, necessitated by the extra width of the middle portion of the house. When the plaster was stripped off the back cross-wall, it was found that it was built throughout of a mixture of Klinker and “modern” bricks, and that it had been inserted into the wing walls by chases cut into them to receive it. It thus appeared that this back wall was a product of the remodelling, for its sash-windows corresponded with those in the front of the house. This theory was borne out by the discovery of portions of an old wall well on the inside of the present one, running lengthwise through the middle of the dining-hall. Whitewashed and plastered with lime and showing unmistakable signs of previous exposure, this wall was originally the outside wall of the house. The implications of this are fourfold. Firstly, it eliminated all speculation of Van der Stel regaling his friends with gigantic feasts in the dining hall as we know it to-day; Valentijn must have enjoyed the “matchless fine and delicious fruit” of. his host in more modest surroundings and even Le Vaillant in 1780 was not privileged to be entertained here. In place of a dining-hall, Van der Stel had a fine wide gallery or passage covered with a lean-to roof and opening through a door in the centre onto a concrete platform from which led down steps into the courtyard below, as is the present arrangement. The discovery of this platform, at a slightly lower level than the floor of the hall, supplied conclusive evidence of the extent of the cross-wall. Records refer to this gallery, and there are instances of similar design in other old Cape houses—possibly this was the original one.

The second point that this discovery settles is the question of the pitch of the roof. Had a wider span been used on the front roof, this portion would have been much higher, as it is to-day; but it would have been difficult to build, especially at a time when the construction of such a building was more of an experiment than anything else.

The fact that the original walls of the house that were uncovered were lime plastered and whitewashed seems to allay the fears of Mrs. A. F. Trotter that the original structure was left unplastered. As early as 1675 there is a reference to prisoners being sent to Robben Island “to gather mussel-shells and others, for the burning of lime”, and all descriptions of the settlement remark upon the whiteness of the houses. There is no reason why Simon van der Stel should have been different in the construction of his own house.

The fourth point concerns the so-called Van der Stel arms worked into the stones on the floors of the entrance porch and dining-hall. In both cases the design is identical with that in the banqueting hall in the centre of the room. It therefore appears obvious that these floors were laid at the time when the banqueting hall was built–that is, when the house was remodelled. On the other hand, we know from Kolbe that Simon van der Stel discovered and worked a quarry of the red stone used in the design in the Steenberg, and it was much used in floors and steps. Also the floor design undoubtedly indicates the arms of Van der Stel impaled upon the star of the Sixes, the family of his wife. One can therefore speculate that the design laid down at the time of remodelling the house was a copy of an earlier design dating from the time of the Van der Stels.

The period of remodelling of the façade and courtyard of the house cannot be determined with accuracy, but, according to the evidence of old-records and references in travel-books, and the style of architecture, the year 1792 appears to be the most likely date.

When Hendrik Cloete purchased Groot Constantia from Jan Serrurier in December 1778 for 60,000 Cape guilders, the estate “was in a ruinous state, the buildings were all destroyed and scarcely a vineyard was bearing” according to an attestation by his son Peter Laurence Cloete, in 1827. He also stated that his father had “rebuilt all the buildings on it, and increased the plantations”. As Hendrik Cloete had bought the estate by a mortgage bond for the full amount to be paid off in instalments, and since he had paid an additional 30,000 Cape guilders for the slaves and movable property, it is conceivable that for no small space of time his financial position did not warrant the spending of a large sum of money on the erection of an expensive and lavish building not essential for the good running of his farm. By 1791, however, he had met with sufficient success to invite the architectural giants of his time-Thibault and Anreith—to construct a wine-cellar at the back of his house. There is a quaint tradition that Anreith worked on the pediment behind e screen, and would not allow his patron a glimpse of the work until it was completed.

Groot Constantia 1741

It does not appear that the house was altered until after the completion of the wine-cellar. Being a good farmer, Cloete built the most necessary things first. Then, as Mr. Kendall writes, “it is highly probable that the proprietor would finish his constructive energies with a flourish by adding magnificence .and comfort to the house itself”. By being in constant touch with Anreith and Thibault in connection with the wine-cellar (“the production of which must have in itself been a strong incentive to beautify the house”) Cloete invited them to remodel his house according to the latest style.

The earliest illustration of the present facade of the house—with a window in place of •a statue in a niche—appeared in Milbert’s Voyage Pittoresque a L’Isle de Franee au Cap de Bonne Esperanee (1812 Paris). A sketch by Bowler in 1854 likewise shows a window in place of the niche. This would suggest that the statue and niche are of ‘later erection: but this is contradicted by Kendall, who—feeling it unlikely for two windows to be placed one above the other in the same gable—examined the inside of the gable for previous patching and repair—and found no trace. He therefore concluded that the niche and statue are as old as the gable itself, and that Bowler copied unfinished details from the earlier artist; or, by some strange co-incidence, they both independently made the same mistake. Cloete family tradition assigns the statue of Plenty to an earlier date than 1854—indeed, Dorothea Fairbridge says to before the time of Anreith. This is hardly possible since Anton Anreith’s arrival at the Cape predated the erection of the front gable by at least fourteen years! There is a reference to “a vile painting, of a strapping girl, and ugly enough, reclining on a pillar” (not pillow as Kendall writes) by a Frenchman De Saint-Pierre, who visited the Cape in the seventeen-seventies. “I took it for a Dutch allegorical figure of Chastity : but they told me it was a portrait of Madame Constance, daughter of a Governor of the Cape”. ‘This is confusing from our point of view, but the reference is to a painting and not a statue, and it must be assumed that De Saint-Pierre at least recorded his basic facts accurately. The present-day statue of a girl leaning against a rest is very suggestive of this earlier painting, and provided De Saint-Pierre’s description is correct, we can speculate that Cloete requested Anton Anreith merely to copy the old design, rather than create a new one. For it is quite possible that the statue of Plenty was designed by Anreith as well. Hendrik Cloete would have been in close contact with him in connection with the wine-cellar pediment, and when Thibault began remodelling the house, Anreith was invited to assist. The fortunate partnership of Anreith and Thibault might well be personified in the front gable of Groot Constantia.

Writing from Cape Town on the 1st of October, 1792, Cornelis de Jongh, an accurate and pleasant Dutch visitor to the Cape, praises Hendrik Cloete as “an artistic argriculturalist who has made innumerable improvements to his farm, having built a new wine-cellar, altered the house, and planted new species of tree and vine . . . “  I feel justified in accenting this entry as indicative of the date at which the “alterations” were completed, or at least, under way.

This date is in conformity with the place of Groot Constantia in the ordered sequence of evolution of the architectural style at the Cape: the façade is certainly the product of a later development than existed in the time of Simon van der Stel. It is more likely the “country” version of the double-storeyed town house with the dak kamer on the roof, such as the Martin Melk house next to the Lutheran Church in Strand Street. At the same time it was probably the precursor of the common triangular-topped square gable seen so extensively in the country districts, particularly in the Worcester-Robertson area. But its Renaissance cap distinguishes it as something apart, and earlier in conception than these.

There is something very comforting about Groot Constantia, lying so close to the great Mother City, and yet breathing the life of another, an easier and more carefree world of the past. All the old ghosts are there—Hendrik Cloete with le Valliant, Lady Anne Barnard and a whole train of distinguished guests; and Kolbe, Valentijn and “if you dream there long enough, you will see wandering among the flickering shadows, the shadow of Simon van der Stel”.

E. H. BURROWS. Africana Notes and News,  December, 1948        Vol. VI, No. 1

Top image is Groot Constantia in 1812

Die Boerevrou

In 1918, Die Boerevrou, the first Afrikaans magazine for women, appeared in Pretoria. This illustrated monthly magazine for women was the first published magazine in Afrikaans. Die Boerevrouw (its title until June 1920) was the first women’s magazine in Afrikaans and appeared in Pretoria from March 1919 under the editorship of the owner, Mrs. Mabel Malherbe (nee Rex), whose assistant editor from an early date was Mrs. M. E. Rothmann (M.E.R.), who published her first short stories in it.

The magazine met with public approval almost from its inception, since it was the only Afrikaans magazine entirely for women; it also dealt with national affairs, with special emphasis on matters affecting Afrikaner women, their own past and their people; it aimed to include women as an essential factor in sound national development. Prominent writers like Eugene Marais, F. W. Reitz, G. R. von Wielligh, Jan Celliers, A. G. Visser, F. van den Heever (‘Toon’) and C. M. van den Heever, and artists like Anton van Wouw, Pierneef and Erich Mayer willingly contributed. Of special value were contributions sent in by the readers themselves, once confidence had been established in the editorial leadership.

These were contributed to a column ’round the coffee-table’ which would formerly have been regarded as of purely personal significance, but had a historical interest, for they cast a clear and intimate light upon the development and characteristics of the Afrikaner people, especially since the days of the Great Trek. To delve into the old volumes of the Die Boerevrou is to reveal valuable Africana. Mrs. Malherbe hoped that sufficient advertisements of reliable goods would be forthcoming to cover expenses. Perhaps her estimate was too high and, moreover, she turned down all advertisements of liquor and patent medicines.

The deficits, which for years had been borne by her husband, the attorney Kenne Malherbe, eventually became so great that she had to give up the struggle, and in 1931 the magazine ceased publication.

Two fine anthologies were compiled by Mrs. Malherbe from the contents: Die Boerevrou-boek (1950) and Juwele wat steeds bekoor (1951).

This coffee table magazine offered a number of regular features such as:

Sewing and Knitting patterns
Fashions
Childrens Stories

Jong Suid-Afrika – family photo’s sent in by the public

Margaretha Kuhne, 1 jaar en 9 maande. Dogtertjie van Mnr. en Mevr. W. Kuhne. Kleinkind van Mnr. Jurie Loubscher, Graaff Reinet.

George Ferreira Strydom, (8 maande oud, gewig 23 pond), enigste seuntjie van Mnr. en Mevr. J.C. Strydom, Barberton

"Die Wonderbybie" Kobus Van Schalkwyk, Oud 5 ½ maande. Gewig 20 pond. Seuntjie van Mevr. B. Van Schalkwyk, Barberton.

Sebastiaan Valentein Vom Hagen, jongste seuntjie van Mnr. en Mevr. S. Vom Hagen, Gezina.

Home Recipes

Koue Seep
8 lb. vet, 1 lb. seepsoda, 1 3/4 bottel water. Dit kan enige vet of botter wees; natuurlik moet dit uitgebraaide vet wees. 1/2 varkvet, 1/2 skaap of beestevet maak die mooiste seep, ofskoon die hoeveelheid van die ander net so goed is. Harde vet, al is dit baie donker en vuil, kers afdrupsels of enige uitgebraaide vet, sal vir koue seep ewe goed wees, al sal dit nie juis so mooi wees nie. Los op die soda in die water. Smelt die vet oor ‘n vuur. Laat so bietjie afkoel. Intussen voer ‘n kassie uit met ‘n natte doek. Probeer dat die soda en die vet so na as moontlik dieselfde warmte het. Roer nou bymekaar, hou aan totdat dit so dik as gesuikerde heuning lyk.

Gooi uit in die kassie, vou die buitenste stukke van die doek oor die seep. Sit dan ‘n ou sak oor, en laat oornag staan. Sny die volgende oggend uit. Laat in die son of in ‘n trekkerige plek droog word, as dit gou nodig is. Die kassie wat in die vorm gebruik word, kan goed diep wees. Dit kan dan in stene op die volgende manier gesny word. Sny die stuk deur van bo af in stene, sny dan weer deur op die dikte van die steen; 2 of 3 stene kan so opmekaar gevorm word. Dan het dit nie so ‘n groot kassie nodig nie.
Deurskynend koue seep

7 lb. vet, 1 lb. soda, en 1 bot. water. Maak die soda die vorige aand aan. Maak goed warm toe. Volgende oggend smelt die vet af en koel of; roer dan by die soda, en roer vir ‘n uur. Voeg dan by een lepel terpentyn en ‘n half koppie parafien. Roer goed deur. Gooi uit in ‘n kassie (uitgevoer met ‘n nat lap). Bedek baie goed met ou sakke of komberse; laat dit so langs die stoof staan op ‘n louwarm plek vir 4 of 5 weke. Dit sal dan mooi deurskynend wees. Die soda moet in ‘n geëmailleerde emmer of skottel aangemaak word. Die seep moet die volgende dag na dit aangemaak is uitgesny word en teruggesit in die kassie, en goed toegemaak word vir 4 of 5 weke.

Skuurseep (Monkey Soap)

7 lb. vet, 1 lb. seep-soda, 1 bot. water, 1/2 slypsteen (‘bathbrick’) fyn gepoeier, dan deur ‘n kamerdoek gesif, of ‘n fyn siffie (dit moet baie fyn wees anders krap dit strepe) en 2 lepels ‘whiting’. Los die soda op in die bottel water, smelt dan die vet, laat afkoel; probeer om die warmte van die vet en soda so eenders moontlik te kry. Roer bymekaar. Voer ‘n kassie uit met ‘n nat lap. Nes die seep al mooi dik is, amper klaar, moet dit soos ‘n dik pap wees. Roer nou die fyngesifte slypsteen by en die ‘Whiting’; roer goed; gooi in die gevoerde kissie; dit moet goed dik wees voor dit in die vorm gegooi word, anders sak die slypsteen af. Sny dit in mooi klein handige steentjies die volgende dag. Dis net so goed as die gekoopte.
Een van Mevr. van Tulleken se resepte vir:

Aartappel Seep

7 lb. vet, 14 lb. aartappels, 2 1/2 lb. seepsoda, 3 bottels water. Kook die aartappels met hul skil, trek dan die skille af, maal deur die vleesmeule. Weeg af, smelt die vet, roer die aartappels by tot dit ‘n gladde mengsel is. Meng die soda met ‘n 1/2 bottel water, meet die ander 1 1/2 bottel water en sit by der hand neer. Roer nou by die soda, maar haal eers die pot van die vuur; roer 5 min. gooi dan die helfte van die afgemete water by, roer 10 min, nou die res van die water, roer weer 10 min. gooi dan in kassie met ‘n nat lap gevoer. Laat drie dae.staan voor dit uit te sny; maak mooi droog op ‘n trekkerige plek of in die son (die seep moet die drie dae goed toegemaak word voor dit uitgesny word.)

Dikmelkseep

Neem dikmelk, sit dit op die vuur in ‘n parafienblik. Laat nou amper kook tot dit so’n mooi stywe dik aanmekaar stuk maak; dit moet nie baie taai wees nie. Gooi nou in iets waar die water goed van die melk kan afloop (‘n ander bilk met gaatjies – klein – is goed). Werk mooi saggies met die melk, anders gaan te veel verlore. As dit nou mooi droog afgeloop is, vryf dit dan so fyn as moontlik met die hande. Smelt 2 lb. vet en neem 10 lb. van die fyngevryfde melk. Voeg dit daarby, roer goed deur, neem weg van die vuur; roer by 1 lb. soda opgelos met ‘n bottel water; voeg by en roer vir ‘n uur. Gooi in ‘n kassie gevoer met ‘n doek. Laat drie dae staan en sny dan uit. Droog die stene mooi uit. Dit is goeie seep en skuim baie mooi.
(Al die seepresepte kom in Mevr. Tulleken se boek voor. Daar het pas ‘n 5de (vergrote) uitgawe van die nuttige boek verskyn – dit is werklik ‘n onmisbare besitting vir elke Afrikaanse huisvrou)
Verlede maand het ons in die Ruilkolom vertel hoe iemand wat moeite wil doen om die boeke te verkoop een vir haar beloning sal kry. Of anders kos een 11/-pos vry – bestel van Mevr. van Tulleken, P.K. Holmdene

Hoofstuk 1 (Deur Else Louwrens)
Wie sê die lewe in ‘n mierkat-dorpie is saai en eentonig? Moenie glo nie. Kyk, die son loer net effentjies oor die ver blou rante, maar dis genoeg om vir Swartjie en Spitsbek en Jan Hoepelbeen en Takhaartjie en Nooientjie en nog dertig of veertig ander mierkatte uit hul huisies daar in die bult te lok.
Hier is hul. Een, twee, drie, sit hul penorent soos kerse op hul agterpote. Vinnig draai die koppies heen en weer, agtertoe, vorentoe, alkant-toe. Die lewe is nou eenmaal te interessant. Dit sou al te jammer wees om iets daarvan te mis.

“Swartjie, het jy gehoor?”
“Ja, wat gehoor? Jy weet mos altyd meer as ‘n ander, of jy dink jy weet meer,” en Spitsbek werp hom ‘n venynige bilk toe.
“Die Kriebos meerkatte daaronder in die laagte noem ons dorp mos “Lawaaimakersfort.”

“Begryp jou, Lawaaimakersfort. Hul is net jaloers op ons deftige naam, ‘Rus en Vrede’; hul, wat vir hul ou dorpie nie eens ‘n naam het nie. Papbroekvlakte sou net ‘n goeie naam vir hul wees. Pieperig en afgemaer en papbroekery, dis wat hul is. En wie weet iets van hul afkoms, hul famielies?”

“Ja wie? Ons, Besems, – ons weet! Nie verniet heet ons die Besemstam nie. ‘n Stert soos ‘n besem, elkeen van ons. Kyk vir ou Grootjie. Ses mierkatgeslagte is aan haar te danke, en elkeen van hul, man, vrou, of kind, ‘n opregte Besem, mooi, rats, sterk…”

“En vernuftig ook. Moenie vergeet nie,” val Kannetjie, wat in die tussentyd nader gekom het, horn in die rede.

“En ‘n stert,” en hier waai Spitsbek statig sy rnooi harige stert op en neer – “‘n stert soos ‘n … nou ja, jul weet mos. Jul’s mos ook Besems.’

“Ja, Boetie, ‘n goeie ou stam. Dis die grondige waarheid, al moet ek dit self sê, ek wat Swartjie is. Maar wag, ek moet loop. Tryntjie roep al na my,” en Swartjie maak dat hy wegkom.

“Jy weet dis brekfistyd, man, en jy sit maar en bak in die son, – bak en skinner. Julie mans is almal eners. Kom, die kinders vra kos. Laat ons loop,” en Tryntjie kruip deur die gareboom-laning, gevolg deur haar man en tweeling seuntjies.

Dit word al lewendiger in die mierkat-dorpie. Dit loop en spring en gaat te keer. Eindelik is almal die veld in.

Ai, maar dis ‘n lekker lewe: baie pret, baie gevare ook. Maar dit gee juis die prikkel aan die vcrmaaklikheid daarvan.

Nie ver van hier lê die ou boereplaas van Oom Jan v.d. Vyver. Maar Oom Jan laat die mierkat-volkie maar sy gang gaan. Hy hinder hul nie. “Lewe en laat lewe,” was sy leuse.

Maar daar by hom op die plaas het ook ‘n hond gewoon, ‘n nare rooi- en witgevlekte ding wat van mierkatte niks gehou het nie. Snaakse smaak het sommige mense en diere tog. Sy grootste begeerte was om mierkatte te vang. Juis vandag het hy weer een van sy giere. Hier kom hy aan, kruip-kruip, al nader en nader.

Witpootjie is net met sy brekfis besig – ‘n vet ou muis wat hy al lank in die oog gehad het. Voor jy kan sê “mes” is Aasvoël op hom! Maar ek sê vir jou niks – ou Witpootjie glip vlak onder sy neus weg en woerts om die bos. Maar Aasvoël, ook nie links nie, keer hom voor.

“Nou het ek jou, outjie,” en hy blaf van opgewondenheid en blydskap.
Maar moenie glo nie, Witpootjie fop hom weer. En so gaan die jag voort, agter-toe, vorentoe, tot die kat eindelik sy huis haal en woeps! in is hy. Aasvoël krap en blaf en gaan te keer nes ‘n mal ding, maar dis verniet. “Jep, jep,” blaf Witpootjie terug van binne, net om vir Aasvoël uit te koggel. Ja, die ou diertjie is nog astrant ook.

Nee, Aasvoël, ‘n Besem vang jy so maklik nie. Jy dink miskien aan die dag toe jy een aan die been gehad het en jou klaargemaak het vir ‘n smaaklike middagete, nê? Maar in ‘n kits had die outjie weer handuit geruk – en jy, ou, moes leeg-leeg huistoe draf en ou Hoepelbeen was skoonveld. Maar, “Hoepelbeen” was …

Jokes
Die lesing was verskriklik droog, om die minste daarvan te sê. Die onderwerp was “Die Ontwikkeling van die Mens”, en as ‘n illustrasie wys die geleerde man op die onderskeid tussen die mens en die dier.
“Die mense,” so beduie hy, “maak steeds vordering, terwyl die ander diere bly stilstaan. Neem bv. die esel. Deur al die eeue heen, die hele wêreld deur, bly dit net dieselfde skepsel. Julle het nog nooit, geagte dames en here, julle sal nooit ‘n beter esel sien as wat julle vandag sien nie.”
* * *
Hy: “Vir wat klap jy so? Daardie vrou het akelig gesing.”
Sy : “Ja, ek weet, maar ek is verlief op haar tabberd en ek wil dit graag nog ‘n maal sien.”
* * *
Pa: “Hoe lyk dit, Koos, smaak die medisyne nog so sleg?”
Koos: “Nee, pa, nou gaan dit darem.”
Pa: “Drink jy nog gereeld drie keer op ‘n dag ‘n lepelvol?”
Koos: “Ja, pa, maar my lepel het weggeraak, nou gebruik ek maar ‘n vurk.”
* * *
Tante: “Miena, wie is die luiste in julle klas?”
Miena: “Nee, Tante, ek weet nie.”
Tante: “Wel, dis tog maklik as julle reken wie sit die luiste daarby?”
Miena: “Die juffrou, Tante!”
——————————————————————————–
Letters
Liewe Boerevroutjie,
Nou wil ek ook so’n rukkie met julle saam gesels orn die koffietafel. Ek sien so baie vertel van oumense, nou wil ek ook graag vir julle van my man se Ouma vertel. Sy is, sover ek weet, die oudste oumens in Lydenburg se Distrik, sy is die 12de deser 100 jaar oud, en is nog taamlik sterk vir so ‘n hoë ouderdom. Ouma was ‘n nooie Schoeman en was getroud met Jan Steenkamp. My skoonvader is haar enigste kind. Toe Oupa Steenkamp dood is, is sy weer met Jan Jacobsz getroud, hy is ook al vir jare dood. Ouma bly by my skoonouers. Sy kan nog al die voortrekker-verhale vertel, of dit gister gebeur het, sy was destyds ‘n kind van 11jr jaar.

Mevr Annie Catharina Jacobtz – Gebore Schoeman, gebore 12de Jan 1825

Maar nou wil ek somar ‘n grappie vertel, wat in die Boere-oorlog plaasgevind het. Ouma had een suster wat baie op haar gelyk het, maar sy was toe deur die Engels eweggevoer. Op ‘n dag kom ouma in ‘n winkel en sien haarself in ‘n groot spieel. Sy dog dis haar suster, sy loop na die spieel en steek haar arms uit, en sê “My liewe ou suster, is jy ook hier?” Dit het glo gedreun in die winkel soos die klerke en mense gelag het. – Mevr. Willem Steenkamp.
* * * * * *
Mej. C. Benade skryf : “Ek sien dat die vrouens en meisies saam gesels oor die armblanke, so wil ek ook baie graag iets daaroor skryf, want as almal dink en saamwerk kan die saak opgelos word.
Ek dink die vrouens en meisies moet werk om Suid-Afrika ‘n droë land te maak soos Amerika, want deur die drank is daar duisende kinders wat armoede en gebrek ly. Die vader werk miskien, en sodra as hy die geld gekry het, gaan dit na die kantien. Die kinders kry geen behoorlik opvoeding nie, en volg naderhand hulle vader se voetstappe. Ek het gehoor hulle sê, solank as hulle onder die in vloed van drank is, voel hulle so gelukkig en ryk. Ek dink al die vrouens en meisies moet saamspan om in die saak te werk. Ek wens die “Boerevroutjie” alle seën toe, en hoop sy sal nog lank lewe. Ons almal geniet haar baie.”
Source: Standard Encylopeadia of South Africa and Die Boerevrou Magazine 1922 November & December, 1925 January, March & June, 1926 April & June, December 1931

Master Builder of Cape Town

William J. Morris was born on the 11th February 1826 in Oxon, England, and was employed by the Duke of Marlborough as a game keeper when he developed pulmonary tuberculosis during the severe winter of 1856. His doctor recommended that he move to a sunnier climate.

Not long after this William was accepted, together with his wife and three children, for the Sir George Grey Immigration Scheme. In screening the prospective applicants, there were some basic requirements: good health, sober habits, industrious, good moral character, and in the habit of working for wages (as promulgated by Act No. 8 of 1857). From these regulations it would seem that a person with T.B. would certainly not have been accepted, and as the gentleman in question lived to the grand age of 90, and certainly worked industriously on arrival in the Cape (not conducive to a sickly person) the circumstances appear to dispel such a legend.

Standard Bank, Adderley Street

The journey to the Cape was aboard the vessel named “Edward Oliver” under the command of Master J. Baker. The ship departed from Birkenhead on 10th July 1858, and after 57 days at sea arrived in Table Bay on 5th September 1858. Little is known about the voyage excepting 14 deaths were recorded and seven births took place on board. Listed as the ships surgeon was Dr. Fred Johnson as well as trained teacher Mr. Tom Gibbs who were to care for the passenger’s health and education. It is possible that it was not a pleasant journey for the Morris family remembering that the three children Richard, Kate and William were still young and the latter being under twelve months of age.

The majority of the artisans and tradesmen had been fixed up with immediate employment, as there was a great demand for skilled and semi-skilled men for the new railway track being constructed from Cape Town to Wellington, as well as the harbour construction project in Table Bay.

Not long after Williams arrival he leased some land at the top end of Duke Road in Rondebosch, then a distant suburb of Cape Town, and very reminiscent of Wychwood Forest and his native Oxfordshire. This piece of land was developed into a market garden and the family lived in a nearby cottage.

It was whilst William J. Morris and family were living in Rondebosch that on 29 April 1862 their youngest son Benjamin Charles Morris was born and baptized in St. Paul’s Anglican Church in Rondebosch, whereby his father (William) declared his occupation as a “gardener” and place of residence as “Rouwkoop Road”, Rondebosch. Click here to search these church records.

Benjamin Charles Morris's Baptism Record

Richard H. Morris was still a growing boy of just 8 years old. By the age of 14 years and still living in Rondebosch, he was indentured to Alexander Bain, a shipbuilder/shipwright of 17 Chiappini Street, Cape Town as an apprentice carpenter/shipwright.

Although the new suburban railway from Cape Town to Wynberg had been opened to the public in 1865, Richard was obliged to walk from Rondebosch to the North Wharf in Dock Road, Cape Town as transport was too expensive for his meager earnings. However, he was soon organized in getting a “lift” from the coachman he befriended who worked for the governor of Rustenburg House. Richard secured his free lift on the footman’s place at the rear of the coach, where he would sit in reasonable comfort for the journey which took him to the Castle. Unfortunately this mode of travel did not operate for the return journey home, nor did it operate during the winter months, so Richard just had to “jog”.

It would appear that the last train from Cape Town to Wynberg in the afternoons was scheduled for departure from the city at 5pm, but needless to say as an apprentice, Richard was still working at the shipyard. Despite the arduous circumstances of his youth, the enforced exercise proved most beneficial a few years later when he entered into competitive sport i.e. race rowing, especially as Richard was just over 5ft. tall and weighed less than 60 kilos.

During 1870, the Bain’s Shipyard was taken over by Mr. Christopher Robertson, as specialist in sailing ships and wooden masts, and as Richard was learning his trade with three other young apprentices, he was taught the art of shaping a sailing vessel’s mast with the hand spokeshave. The firm from then on was known as “Robertson & Bain” which continued operating in Dock Road, Cape Town for several decades, specializing in the supply of wooden masts for sea-going sailing ships.

Before carrying on with the life story of Richard H. Morris it is important to mention that the Anglican Church of St. Johns on the corner of Long and Waterkant Street had been built in 1856. It was at this church that during the 1860′s Richard became a choir boy and in 1872 a Sunday School Teacher.

In 1876 the Templar rowing club started in Cape Town where Richard and his brother were both members and enthusiastic oarsmen.

The christening of the personally constructed fast rowing boat by Richard came as no surprise by the owners of Robertson and Bain. The name of the boat was called the “Alpha”.

In 1882 the construction of a row of cottages built by Wm. J. Morris and his brother Richard (father & son) was started in Upper Church and Longmarket Streets and were to be called “Lorne Cottages” in honour of the Lorne Rowing Club which was started in Cape Town in 1875 and named after the Scottish Firth near Island of Mull of Kintyre.
On Saturday 6th June 1885 Richard married Helen Ann Lyell in St. John’s church. The newly married couple went that day to “Lorne Cottages” to make their permanent home and raise a family.

Richard and Helen Ann Lyell's Marriage Certificate

Helen was in fact a little girl of ten years old when she first encountered Richard. That was when he was in his twenties and he was late for work and was running along the road when he accidentally knocked over a little girl. He tried to console her, and from this time onwards a very special friendship developed.

It was in the same church that Richard’s younger brother William John married Matilda Jane Altree on 25th August 1886 and a younger brother married in St. Paul’s in Rondebosch on 14th September 1887. It is interesting to note that St. John’s Church was deconsecrated after the last evening service in June 1970 as the ground and building was sold, after much pressure from business interests, for an astronomical amount, and the church was completely demolished to make way for the present modern commercial complex known as “St. Johns Place”. Click here to search these church records.

In 1884 Richard Morris as cox and his brother of the “Templar Club” had their first win as champions winning both “Maiden Oarsmen” and “Championship of Table Bay” events.

In June 1878 Richard H. Morris went into partnership with friend & neighbour Chas. Algar from Rondebosch, who had known the Morris family for quite some time. Little known to Chas was that Richard was to be the future brother-in-law to his sister Bertha Algar.

The first workshops of Algar and Morris were at 39 Shortmarket Street, Cape Town. (between Long and Loop Street ). But misfortune was the cause of the break-up of the working partnerships as the 30-year-old Chas Algar died suddenly on 4th October 1883.

Banking institutions were now playing a major role in the economy of the country and in 1883 Richard Morris landed the contract to build the Standard Bank in Adderley Street for the amount of £32,000 – the two storied building was designed in neo-classical style by Charles Freeman. Two additional floors were added on by Morris in 1921.

Richard made a repeat performance in May 1885 wining the 2 mile race in 15 minutes and 55 seconds.

March 1886 saw the arrival of Richard and his wife Helen’s daughter Kate as well as Richard wining the “Champion of Table Bay” for the third consecutive year.

Eleven years after the death of Chas Algar, Richard Morris secured the construction contract for the new City Club in Queen Victoria Street for a sum of £22,000.

Between the years of 1888 and 1895 Helen Morris gave birth to Edith, Bertha and William Henry Morris, the only son to Richard.

By 1896 Richard H. Morris had become known as a builder of distinguished quality and workmanship and the fame of R.H. Morris had spread. Herbert Baker had met Richard on several occasions and took immediately to this man who built with such fine quality and precision. It was then that R.H. Morris secured the prestige contract for the restoration of “Groote Schuur”, after the building had been extensively destroyed by fire.

Richard H. Morris by 1899 had workshops in both 52 Rose Street and 173 Longmarket Street. In 1902 Frank Lardner joined the staff of R.H. Morris and in 1911 he became the manager.

Father, William James Morris, died at the old age of ninety years on 22 March 1915. In 1919 the company of R. H. Morris (Pty) Ltd was officially formed to cope with the new lumber contract in Knysna. It was from this time onwards that R.H. Morris was renowned throughout Southern Africa for the excellent workmanship and quality in carpentry all starting from old Mr. Morris himself. School desks, church pews and altars were manufactured in their joinery shop for years to come. The items were delivered as far away as Botswana, Rhodesia, Zambia and Mozambique. Along with the desk and school equipment Morris ink wells and stands were also produced.

The Morris workshop also manufactured one of the very few original gramophones that were ever produced in South Africa and which was called a “melophone”. Many of these items can be seen on display in the Educational Museum in Aliwal Road, Wynberg today.

Sadness unfortunately halted joy when Richard and Helen Morris celebrated their Golden Wedding Anniversary on 6th June 1935 and then on 24 July Helen tragically passed away at home as well as Bertha, wife of Benjamin Morris, on the 6th December.

Richard at the age of 83 years old in 1936 retired from the construction industry and handed the reigns over to Frank Lardner. Frank ran the company until 1942 when he passed away. The business was then handed over to a young civil engineer, Clifford Harris. The existing premises of Rose and Longmarket Street were finally vacated when the furniture workshops and Building /Civil Engineering were consolidated and new premises built in Ndabeni.

In April 1949 Richard Henry Morris succumbed to natural causes and passed away at the age of 95 years and 5 months.

This was certainly not the end of an era for R.H. Morris Pty Ltd – as in 1952 the company was given financial backing for the New Municipal Market at Epping in Cape Town by the British Engineering giant Humphreys. The firm is no longer associated with the family. Later the company was taken over by the Fowler Group and is now in the hands of Group Five Construction who have retained the image of the name in perpetuating the fine record of the founder Richard Henry Morris.

Many of the other buildings in Cape Town which were either completed by or alterations were performed on, include the University of Cape Town, Diocesan College in Rondebosch, Music School at U.C.T. as well as many Sir Herbert Baker buildings.

In 1995 when much of this research was done I managed to find a second “melophone” and an original “Morris” desk for sale which ex-Managing Director Frank Wright was extremely grateful for me finding these wonderful company artifacts. Shortly before the final documents were found I also located the grand nephew of R.H. Morris who very kindly gave me the medal won by Richard in the “Championship of Table Bay”. This is now on display in the boardroom of Group Five Construction in Plum Park, Plumstead in the Cape.

Authors: Heather MacAlister and H.W Haddon

Benjamin Osler also known as Bennie born in Aliwal North on 23rd November 1901 and died in Cape Town on 23rd April 1962, Springbok rugby player, was the son of Benjamin and Isobel Osler. Bennie’s ancestors have been traced back to Edward Osler, a prominent merchant and ship-owner, with a hint of piracy involvement.Bennie went to various schools, including the Western Province Preparatory School, Rondebosch Boys’ High School, and Kingswood College, Grahamstown. From 1921 he read law at the University of Cape Town, qualifying in 1925. During this period he represented the University on the rugby field, but from 1926 to 1930 played for Hamiltons and from 1931 to 1933 for Villagers. He acted as captain of all three clubs and on various occasions captained Western Province, which he represented from 1922 to 1933.

He gained his Springbok colours in 1924, when he played against Ronald Cove-Smith’s British team in all four test matches. Four years later (1928) he also played in all four tests against Maurice Brownlee’s New Zealand touring side, and in 1931-32 captained the Springbok team (which went to the British Isles) in all the tests of that series. He rounded off his rugby career in 1933 by playing in all five tests against the visiting Australians, acting as captain in the second test. He had scored forty-six points in the seventeen consecutive tests in which he played Osler is generally regarded as the best fly-half South Africa has produced so far (1979), a man who could dictate play. The decade during which he was a Springbok is even called the ‘Osler Era’ by sports writers, owing to his influence on the game. While he played for South Africa the country won all the test series, his province carried off the Currie Cup throughout, and each club for which he played won the Grand Challenge Cup. He had no equal as a tactical kicker and it was in particular his almost perfectly-placed corner kicks to wings which gained many tries for the Springboks. He could launch long outside kicks from any corner and as a drop-kicker he often clinched matches. Nobody was more feared by opponents than Osler.

He was also an attacking fly-half who could send his full-backs off with incredible speed when circumstances permitted or, if not, could himself shoot through an opening like lightning. Autocratic on the field, he would tolerate no passes from scrumhalfs that were above waist height; if the centres next to him blundered even once, he usually mistrusted them afterwards and would rather kick the ball – a course of action which can be regarded as one of his few weaknesses. As a captain he attached great value to tactical planning before a match, and he believed in strict team discipline.

During the Second World War (1939-45) Bennie went with the South African forces to East Africa where he contracted both malaria and amoebic dysentery which probably contributed to his relatively early death.

Unlike other great players Osler had little interest in coaching or the administration of the sport when he retired. After working as a salesman for a long time, he eventually went farming on a small scale, at first near East London and later near Bellville.

The brothers Bennie and Stanley Osler

He married Gladys Hobson and had two children. Photographs of him appear inter alia in The Bennie Osler story and Springbok saga (both infra).

Osler’s Cornish Connections

Benjamin. Falmouth born circa 1776 son of Edward and Mary (Paddy) Osler of Falmouth and husband of Jane (Sawle) Osler born 1775. father of Susannah, Stephen Sawle, Mary Anne, Amelia, Elizabeth, Sarah, Joseph, Jane, Benjamin, Phillippa and Julia. Leader of W.J. Cornish 1820 Settlers. Returned to Cornwall with wife and some members of his family 4.1822.

Stephen Sawle born in Falmouth 27th September 1804, died 21st October 1867 in Simonstown. Son of Benjamin and Jane (Sawle) Osler and husband of Catherine Osler (born Dakins, formerly Wright) of Llaway Glen, Montgomeryshire, Wales. 1802-1881. father to Benjamin, James Goodriche, Catherine and Jane; and also Christina, dtr of Orange Kleyne (Klein). Founder of the Osler family in SA.

Susannah Osler born in Falmouth circa 1800. daughter of Benjamin and Jane (Sawle) Osler married 1st John Coleman (1792-1829) of Cock’s party at Reedfountain, Eastern Cape on 17th June 1820, 2nd time to Mr Fineran from Quebec.

The small Cornish party, under the leadership of Benjamin Osler of Falmouth, Cornwall, sailed in the ‘Weymouth’, which left Portsmouth in January 1820. Having arrived in Albany so that he might supervise the first arrivals, Sir Rufane Donkin considered that a more central and accessible site should be chosen for the administration of the settlement. Ignoring the fact of Graham’s Town’s better defensible position and that it was already established as a military base, the site he chose on 9 May 1820, was just west of Thorn Ridge. This was to be the centre of the civilian administration and also the seat of magistracy. Sir Rufane declared it was to supercede Graham’s Town as the capital town of Albany, and it was to be named Bathurst in honour of Earl Bathurst, Secretary for the Colonies. In his enthusiasm Donkin allotted plots to the Earl and also his own sons and nephews, while 500 acres of Glebe were allotted for a clergyman and chaplain of the Church of England, the vacant post to be filled in due course by a suitable man. The post of administrator, however, was filled by the transfer to Albany from the Western Cape of Capt Charles Trappes.

By 9 June the Cornish party of Benjamin Osler was enroute to their location from Algoa Bay. Osler’s party, it had been decided, was to be located some 12 miles southwest of the new town of Bathurst, and halfway to the Kowie River mouth. This was in the curve of the Mansfield River, a left bank tributary to Kowie River, today known as Grove Hill. Osler named the location Pendennis in memory of the similarity the area bore to his Cornish hometown of Falmouth and its Pendennis Castle.

Pitching their tents for protection from the cold winter nights and the intermittent drizzle, the party immediately set to clearing the land so that ploughing and sowing of their first crop could be done. Soon after arrival, they were to be joined by a young man, John Coleman, 28 years of age and a gardener from Cock’s party who had sailed with them in the Weymouth. Coleman was not altogether an unexpected arrival, for he had made his intentions clear earlier and on the 17 June, he was married by the Rev William Shaw to Benjamin Osler’s eldest daughter, Susannah. Theirs were the first marriage in the whole settlement.

The proximity to Bathurst of Osler’s location at Pendennis meant that these settlers were closely concerned with the early development of that town. Lots were already being offered for sale and the Colonial Secretary had ordered erection of a prison. The building of the Bathurst Residency got under way by October. All this activity afforded employment to bricklayers, carpenters, slaters, sawyers and stone-masons, who were able to direct their energies into a rewarding field while they waited patiently for the crops to ripen. Hopes for the future were bright, but by the end of November it became apparent that ‘rust’ had affected practically all the wheat sown since their arrival and the crops were useless. With little resources to withstand such a disaster, the administration decided that the issue of rations was therefore to be continued, but they became an additional charge against the deposit money. When that had been exhausted, it was a liability for future repayment. By Christmas Day that year, the circumstances of many were desperate and prospects for the future grim.

Undaunted by these hardships and their considerably reduced circumstances, the settlers sought what work they could find. The Bathurst Residency, long delayed in its completion by the number of unfortunate disputes that had arisen, was still an avenue for employment. William Mallett, a mason with Osler’s party joined with Thomas Marham of Bethany, James’ party’s location, and together they contracted on 5 November 1821, for slating and plastering work on the Residency to the value of £16. 10. 0d.

Lots had continued to be sold at Bathurst and houses built on them, but again, as a year earlier, ‘rust’ began to appear in the wheat and by the end of the year it was apparent to all that the wheat crop had once again failed. This was now a major calamity. Though rations were continued, they were reduced to half portions. Despite what the settlers had previously received, and even for those in dire need who had no money or hope of ever redeeming what they already owed, a parsiminous administration ruled they were only to get half a pound of rice per adult per week. Meagre indeed, but to ameliorate their difficulties, the stringent pass laws restricting settlers to their locations were relaxed and many now went in search of work, not only in Albany, but further afield if they could afford to get themselves there.

Lord Charles Somerset had by now returned to the Cape from his bride hunting furlough in England, and once again took up the reins of office as Governor.

He was furious to find the number of rather illogical decisions taken by Sir Rufane were actually detrimental to the scheme as he had originally envisaged it. He thus immediately set about reversing them. Bathurst was demoted from its pre-eminent position, which consequently caused another sharp depression when the Magistracy was summarily removed to Graham’s Town and the many settlers who had invested their small capital in establishing business premises in order that they might better serve the community, now faced ruin and impoverishment as it was quite evident the town of Bathurst would stagnate. It did and many then returned their attention to trading. Fairs were permitted at Fort Willshire and to these came the native tribesmen from beyond the Colony’s borders. James Weeks was one of the Cornish settlers who took to offering the more conventional manufactures. He and others traded tobacco and cloth in exchange for hides and skins, ivory, cut wood and simple items of use that could either be sold again in Graham’s Town or taken down to Algoa Bay and bartered there for the farming implements in such short supply. But the air of depression continued, it was no good having the basis for an exchange of goods if the majority the inhabitants, both settler and tribesmen, were so impoverished that goods and hard cash were virtually an unknown commodity amongst them. Osler left his location in April 1822 to return with his wife and five younger children to Cornwall. What remained of Osler’s party slowly broke up. Headed by John Dale, it began to disintegrate further. Osler’s daughter, Susannah and her husband decided to make their home at Simonstown where they were to be joined by her brother, Stephen Sawle Osler, who had elected not to return to Cornwall. By the beginning of 1824 William Mallett had moved away to Uitenhage and matrimony was to call Joseph Richards to a date in Graham’s Town where on 23 September that year, he was married to Sarah Attwell, the seventeen year old daughter of Richard Attwell of Crause’s party. Grace Weeks had died and the end of the year saw Charles Pearse returning to England to rejoin his wife with and family who had been unable to embark with him.

The small party of Cornish settlers, comprising only eleven men and their families at the outset, was already diminished in number by nearly half, and the few that did remain on Pendennis were to become so insignificant numerically that from then on their story melds with that of the settlement itself, conversely reflecting their great adaptability and absorption into the new country.

Source:
Dictionary of South Africa Biography Vol 5.
Cornish Immigrants to South Africa by Graham Dickason.
History of South African Rugby Football (1875 – 1932) by Ivor Difford

Further reading and resources:

http://freepages.genealogy.rootsweb.com/~bathonia/OslerBathFrancisConnections.htm

Osler Library – http://www.mcgill.ca/osler-library/

Acknowledgements: Michael Bath

Rev. JUMA RICHARDSON ALBERT ANKHOMA was born at Irehaye, Bandawe, Nyasaland. In 1891 the family moved to Dwambazi, near River Dwasulo. His father, Kassele Ankhoma, who was a warrior in the Atonga section of the tribe, married Chief Kaluluma’s sister. During the time of Dr. Henderson in Nyasaland, Rev. Ankhoma was a boy  attending school at the Training Institution at Bandawe where he spent three years. From 1901 he took part in the building of churches. In 1909 he went to Johannesburg and in 1912 became a minister of the Apostolic Faith Church of which he is now the overseer. In 1918 he was chairman of the Nyasaland National Congress.

PRINCE GWAYI TYAMZASHE was ! born at Blinkwater in the district of Fort Beaufort on the 22nd of January, 1844. He was the eldest son of Tyam. zashe; Tyamzashe, the son of Mejana, son of Oya, of the Rudulu clan, cornmonly known as the Mangwevu. Gwayi as a boy saw all the horrors of the early Kaffir Wars, and was with his mother, Nontsi, during the terrible Nongqause cattle-killing episode, while his father Tyamzashe was a head councillor at the King’s Court. At that time Sandile was the Paramount Chief of the Xosa Tribe.

After the great armed protest of the Xosas, under Sandile and his brother Anta, Gwayi and his parents became detached from the main fighting body and eventually fell into the hands of the missionaries at Dr. Love’s mission station-now known as Lovedale. The late Mr. Goven was then in charge of the mission and he soon induced the raw native fugitives to be converted. Govan actually went so far as to pay those natives who attended infant classes. Gwayi Tyamzashe liked these classes. He was followed by many other natives. The signs of progress moved quickly. Messrs. Smith and James Stewart came to Lovedale, and Gwayi and his friends soon found themselves on the highway to civilisation and education. At all times Lovedale was open to all classes of pupils, and Gwayi found himself rubbing shoulders with European pupils, amongst whom were William Henry Solomon (late Chief Justice of the Union of South Africa), his brother, Richard Solomon, Schreiner, Grimmer and others.

Soon Gwayi qualified as a teacher and taught for some years at Gqumahashe, a village just across the Tyumie River. Just at that time Tiyo Soga was reading for theology in Scotland. This caused Gwayi to leave teaching and return to Lovedale for theology. Before doing so, however, he went in for a University examination in which Latin, Greek and Hebrew were essential subjects. This examination was above the ordinary matriculation. It was a red-letter day at Lovedale when Gwayi Tyamzashe passed this examination; flags were hoisted and the day was proclaimed a exam holiday.

Gwayi completed his Theological Course in 1874 and was immediately called to the Diamond Fields. In 1884 Gwayi and his family, consisting of his wife and three children, James, Henry and Catherine, left Kimberley for the wild north-Zoutpansberg. His journey to that part of the country was a heart-breaking one; the story of which would fill a volume. Leaving Kimberley with two ox-wagons, several milch cows and a pair of horses, he slowly made his way north. There were no roads to speak of; the country was unexploed as yet; the drifts across the rivers were mere sluits and no bridges existed anywhere; the country was still wild, and, worst of all, the Dutchmen, who occupied the Transvaal, were hostile towards the black races. When Gwayi and his caravan arrived on the Witwatersrand-as Johannesburg was then called-he was arrested for having no ” pass.” He was handcuffed behind his back and hurried off to Pretoria in front of four fiery horses of the “Zarps” (Zuid Afrikaanse Republiek Poliese). His wife, however, hurried over to Pretoria and personally interviewed Oom Paul (President Paul Kruger) whereupon Gwayi was not only released, but also given a free pass to his destination.

At Zoutpansberg Gwayi Tyamzashe opened a number of mission stations which exist to this day. He lived at Zoutpansberg for six years, and on being called back to Kimberley, he returned to the Diamond Fields. It was, however, a different Gwayi that arrived at Kimberley. He was physically a mere shadow of the former Gwayi, owing to a relentless attack of asthma which he contracted in the damp and marshy country of the Zoutpansberg. He lingered for six years in Kimberley and died on the 25th October, 1896. Prior to his death he had a serious case against the European Church Union which culminated in victory for him in the Supreme Court at Capetown.

Chief Sebele I. was the son of Sechele I., head of the Bakwena Tribe, whose country extended from Bechuanaland to the Transvaal. He was a kind and just man, Very much respected by his people. His appearance commanded respect. He did not countenance quarrels and disliked strife. He was a friend of the missionary of the London Missionary Society. The Bakwena and the Bangoakwetsi Tribes belong to the same stock. Thev originally came from Loc. They are of the same family with the Basuto, Bahurutsi, Bamangoato and the Baphalane. These people are now resident in various parts of Bechuanaland, Transvaal, Orange Free State, and Basutoland.

Mr. PETER SIHLAKAHLAKA was born about the year 1856 at Emsapa, P.E.A. At the age of ten years he with four other boys were kidnapped by a European trader who gave them treacle. They were put in a donkey cart and driven away. They learnt later that their destination was the Diamond Fields. At Kimberley they were put up for sale, but as they were so young the prices were low, and the offers were refused. From the Diamond Fells they were taken to. Uitenhage. Here Peter Sihlakahlaka was handed over to a magistrate, Mr. Philport. The others were taken to an unknown destination. He worked for his new master for some time and on the latter being transferred, Peter Sihlakahlaka was handed over to a Rev. Surgeon, who was a minister in the Wesleyan Methodist Church. When Rev. Surgeon left he was handed over to Mr. Pittman. At this time he was a free man. At the age of 30 years he married a girl from Uitenhage. Ten years later he went to Healdtown for education. Here he remained for five years, at the end of which he was appointed a lay preacher. After some time he was appointed evangelist and was sent to the district of Kingwilliamstown. The pay was small and inadequate to support his family, so he went to the Transvaal where he worked as an evangelist for twenty-four years. He died at his home in 1931.